Why Should You Go to PodTales?

On Sunday, October 20th at the Lunder Arts Center at Lesley University the first ever PodTales Festival will take place. A festival dedicated solely to audio drama and fiction podcasting.

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“Our heart will always be like that little mouse logo;

small and cute, but happy and powerful.”

by Alex C. Telander

Something special is coming to Cambridge, Massachusetts: on Sunday, October 20th at the Lunder Arts Center at Lesley University the first ever PodTales Festival will take place. What makes PodTales special is that it’s the first of its kind: a festival dedicated solely to audio drama and fiction podcasting, and before you ask, yes, this does include RPG podcasts too.

PodTales is an arts festival, not a professional conference; it’s about the work itself and learning how people do it, whether you’re a fan or a creator (or both, as many of us are). PodTales’ goal is for you to walk out with a whole list of new shows to check out.

Now, why should someone attend the PodTales Festival, other than its free admission and it being the first convention tailored exclusively to audio drama? Well, I had a chance to ask a couple of the organizers behind PodTales all about the festival and what their hopes, fears, and dreams for it are: Alexander Danner is the festival director and Jeff Van Dreason handles exhibitor relations and the IndieGoGo campaign, which runs through July 14th. And yes, these are the guys behind the terrific audio drama, Greater Boston.

Where did PodTales come from and when was it conceived?

ALEXANDER: The Boston area is rich in active fiction podcasters, making it one of the geographic hubs of the form, so I’ve long thought it would make sense to have a major community event here. There was also a particular model of show I’ve been hoping to attend, but which doesn’t really exist—one more similar to an indie comics festival, where new and established artists intermingle, where the act of creating within the form is celebrated no matter the artists level of experience.

My biggest inspiration is MICE, The Massachusetts Independent Comics Expo, which was founded by my friends Shelli Paroline and Dan Mazur. There’s a palpable joy in celebrating the craft in how MICE is run, and no con anywhere that ever made me feel as valued as an exhibitor as MICE does. That’s what I want for exhibitors at PodTales.

And we wouldn’t be here without MICE for more practical reasons as well. I had mentioned to Shelli just in passing how I wished there was a local show for fiction podcasting like MICE. And she came right back with, “Actually, we’ve got a second space available every year that we don’t use. And we’re already looking for a partner show to put there. You want it?”

That was too clear an opportunity for me to resist! And with MICE and Lesley University providing the festival space, creating PodTales became much more financially viable. At the same time as PodTales is holding its first ever show, MICE will be holding their tenth anniversary show in the building immediately next door. It’s going to be an amazing weekend for celebrating storytelling!


Alexander Danner

Did you come up with the name early on?

ALEXANDER: No! I spent months trying to come up with a name I liked. I tried to create an acronym based name, something rodent themed that would parallel MICE, but I couldn’t find anything that worked well. And finding a “storytelling” title that wouldn’t work equally well for a festival of non-fiction podcasts was equally difficult. When I hit on using “Tales,” that actually captured a bit of both those goals in a way that sounds fun. I know a lot of people are kind of hoping the prefix “pod” will die, but for the time being, it still communicates what we’re about with clarity, which is more important to me.

What are you hoping to achieve with PodTales?

ALEXANDER: I’m hoping PodTales will become a community event for fiction podcasters, as well as a contact point with their audiences. My experiences at PodCon suggested to me that our community really wants something like that, an event that brings us all together to share our admiration for each others’ work, to make new connections and form new collaborations, and to just get to know each other in real life. I think the strong sense of community our form has historically shown has been vital to the growth of our art form, but with the rapid growth we’ve seen recently, it’s getting harder to maintain a connection with the fullness of that community. I think having a physical world community event will help with that.

JEFF: We want to celebrate the incredible talent of audio fiction creators, in addition to highlighting the awesome possibilities that come with independent audio fiction as a genre. It’s a growing genre that deserves more exposure. It doesn’t necessarily frustrate me that many people automatically associate podcasting with nonfiction shows, but it is unfortunate. PodTales is our small attempt at trying to change that, in addition to making audio fiction podcasts on our own, of course.

What were your first steps in putting it together?

JEFF: A lot of this came from conversations Alexander had with the directors of MICE, whom he’s been involved with for years. Alexander has connections with the independent comics world (especially web comics) and his comics friends involved with MICE have seen how much audio fiction podcasting has taken off lately. They all see a lot of similarity between genres and audiences, and we feel it just makes sense to build off an already existing showcase of independent artists. We’re hoping the audience for MICE might also be interested in learning about PodTales, and vice versa.

So after those initial conversations, our first steps were figuring out how to do it. We had some meetings via Skype to plan who was going to be responsible for what. The thing with this kind of event is even the strictest, carefullest planning gives way to unseen problems popping up, and there’s more work that goes into this type of thing than I think anyone can realize ahead of time. Hopefully it doesn’t seem like a lot of work to anyone who isn’t actually working on it, though.

Jeff Van Dreason

How did you go about putting a team together, who does your team consist of, and what are their respective roles?

ALEXANDER: My team is pretty much self-selected. Anyone who offered to help out, I wasn’t going to turn down the help! But those people have been fantastic. Jeff Van Dreason, of course, I have plenty of history working with, and always like to have him involved in anything I’m working on. He’s taken charge of the IndieGoGo, and is doing a fantastic job. Amanda McColgan is our social media manager, and is just blowing me away with her ability to keep people excited about the show, keeping so many people engaged with us months before the show even happens. And more behind the scenes, my key advisors have been Jordan Stillman and Alex Yun. Jordan has been working with MICE for years, and is organizing their tenth anniversary festival, but she’s also been a huge supporter of PodTales from day one, and has made herself constantly available to share resources and her experience in running a similar festival. And Alex is just brilliant. At one point, Jeff scolded me for waffling on one of Alex’s recommendations, saying, “Look, if Alex gives you advice, just take the advice.” And I’ve learned that lesson, because it’s true: Alex is always right.

Where did the logo come from?

JEFF: The voice of Leon Stamatis himself! Braden Lamb designed that cute little mouse. In addition to being an excellent voice actor, Braden is an incredibly talented artist, and he’s been a comics artist for years now. In fact, his partner Shelli Paroline, is the co-director of MICE, so there’s already a solid foundation of crossover talent extending from MICE to PodTales, and given that we’re spinning off from MICE, it makes sense to have our mascot be a fiction podcast rocking rodent, right?

How is PodTales different from Podcon or PodX?

ALEXANDER: I haven’t been to PodX, so I can’t compare as accurately. But PodTales is going to be a much smaller show than PodCon. Our entire physical area could probably fit inside PodCon’s exhibit hall three times over. So I think it’s important that people with experience at other shows know going in that we’re working at a much smaller scale. It’ll be a much more intimate sort of show.

But also, we’re really inverting the balance between programming and exhibition. The big draw at PodCon was clearly the programming, which was plentiful, and full of well-known podcasters. And that’s great—the programming at PodCon was wonderful, and it was terrific to have so many options to choose between!

By contrast, the exhibition hall will be the heart of PodTales. By numbers, PodCon 1 had 15 exhibitor booths total, five of which were podcasts. PodTales currently has more than 50 exhibits lined up, every one of them representing a podcast or podcast network. The tradeoff, of course, is that we won’t have nearly as much programming, probably only two or three tracks. Though, with fewer programming events, we are going to work hard to make sure those events are entertaining and substantive! Our programming will also be built around our exhibitors, primarily highlighting the same people who are giving the exhibit hall life.

What do you hope attendees get from attending PodTales?

ALEXANDER: First and foremost, I want attendees to leave PodTales with a long list of new podcasts they plan to check out! Discovery is at the heart of our mission—we want to facilitate creators and audiences finding each other. But also, I want attendees with ideas of their own to leave PodTales feeling empowered to pursue their creative ambitions, and supported by a creative community that will help them find their way there.

JEFF: Discovery. Especially independent artists. New and exciting ideas and stories. We want people who’ve never heard of audio fiction podcasting to fall in love with the genre. We want people who do love audio fiction podcasts to find their new favorite shows, meet and learn from creators they know and love, and new, up and coming people as well.

What has been the hardest part of putting PodTales together?

ALEXANDER: Fundraising is always a challenge. Jeff has handled the IndieGoGo beautifully, while I’ve been working on cultivating partnerships with sponsor organizations. It’s a lot of searching for hard-to-find contact information, trying to pitch PodTales as an event various companies would benefit from advertising at, and negotiating mutually beneficial contracts. It can take a couple dozen attempts to cultivate one promising lead, and then weeks or months of discussions before an agreement is signed. Lesley University was with us from the start, which is great, and RadioPublic is a perfect partner for us. We’re close to signing a couple more sponsors, but this is an ongoing effort. But it’s also very important to meeting our aims for the show—we want to keep admission free and exhibitor fees low, but that means finding our funds from other sources. The more successful we are at working with sponsors, the more accessible we can keep the show for attendees and exhibitors.

JEFF: For me, the hardest part has been balancing how much to be involved. I love helping out, especially with something as exciting as this, and I’ve already committed to more than I thought I would originally, but I also need to step back from it soon. My personality sometimes pushes me to try to do too much, which I’ve been actively trying to change because it’s gotten me into a bit of trouble. I don’t have the time to co-run PodTales, unfortunately. But I set up and I’m running the Indiegogo campaign, and I’m helping with our exhibitor list and exhibitor relations, which I’m really excited about.

There’s also been a hard time just planning everything and getting the word out. Everything has to happen at once and it takes a lot of organization and coordination. There are only so many of us trying to do a huge thing, so things take longer than we’d like, but there’s not much we can do about that, unfortunately.

What has been the easiest?

ALEXANDER: Filling our exhibit hall! Starting a show like this, we’re taking a big gamble on whether there are enough people who see exhibiting at a festival as worth their time, especially since it’s not really an established facet of our process. But there was an abundance of interest, and we filled every seat we had available, then went back to our floor plan and rearranged to squeeze in a few more! And I’ve still got a few people on our wait list. This has really been one of the most encouraging outcomes we’ve had; it’s incredibly gratifying to know so many people are excited to show their work at PodTales!

JEFF: Working with exhibitors and our incredible featured guests. I’m really excited about everyone who is coming, and every single person has been a pleasure to work with.

Do you hope to make PodTales an annual podcasting event?

ALEXANDER: Yes! We’ve still got a long way to go before we’ll know if that’s feasible, but I’m definitely trying to build the show in a way that will make the process of doing the next one easier. If possible, I’d like to expand the show to two days as well. We’re keeping the scale small this year because this is our learning experience. But our hope is to grow from here.

What do you want to get out of PodTales?

ALEXANDER: I’m really hoping that this festival will contribute to spreading enthusiasm for fiction podcasting in general. Given our central location, free admission, and partnership with MICE, I’m hopeful that we will have a significant audience of people who are discovering fiction podcasts for the first time at PodTales. It’s really all about celebrating the art itself, and showing just how much we have to offer!

JEFF: I want it to be fun, diverse, informative, and safe. I want people to come and feel safe and celebrate our fabulous genre and have a great time. That’s it. I’d like it to grow and be sustainable too, but I would also like it to be sustainable in a way where I’m not as involved as much as I am now. I do a lot of the type of work that it takes to put on PodTales with my real job, and between my real job and this work, there’s not a lot of time left over for the type of creative work I cherish. So I’m really missing that right now, and we have two more seasons of Greater Boston to do, not to mention whatever comes after that. So I want PodTales to last forever, and I’ll always want to be a part of it. Maybe just not as much of an integral part as I am right now.

Five years from now, after this festival has exceeded goals every year, what does PodTales 5 look like for attendees?

ALEXANDER: Well, I’d certainly like PodTales to be a two-day show, and I’d hope to be able to move into a larger event space that can accommodate more exhibitors and larger audiences at our panels. (Probably the same space that MICE uses, once we’re ready to go out on our own.) But there’s a limit to how big I want it to get—I want to stay true to the missions of focusing on indie creators and keeping the show financially accessible to as many people as possible. This is an arts festival, not a large convention, and that’s how I want it to stay.

JEFF: I’ve gone to MICE for years and it’s absolutely grown, to an extent, and only gotten better every year. But it’s also been surprisingly consistent in its nice, niche, small, independent qualities too. I’m interested in seeing PodTales grow in terms of sustainability, kind of what I was speaking about before. And I always want more and more people to discover audio fiction podcasting, But I’d be lying if I said I wanted record breaking attendee numbers out of this thing year after year. I want people to come and be excited about this genre, and I’m involved because I love audio fiction podcasts and I want more people to discover them. But I also love how MICE is a small little show celebrating a unique type of independent art, and I’d never want PodTales to become this huge thing that feels like it exists solely for networking and business. That’s not to say that industry conversations aren’t important, they are, but I also don’t want to lose that independent spirit. So no matter what happens in five years, ten years, or fifty, I hope we just remain consistent. And I believe we will.

Our heart will always be like that little mouse logo; small and cute, but happy and powerful.


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Una Animus

Una Animus is a nonfiction podcast by Sin Ribbon, about mental health, new perspectives, and the quest for personal fulfillment. Something of a shift for Sin, who works primarily as a fiction writer and visual storyteller.

Una Animus

by Dōhai

Una Animus is a nonfiction podcast by Sin Ribbon, about mental health, new perspectives, and the quest for personal fulfillment. Something of a shift for Sin, who works primarily as a fiction writer and visual storyteller.

I first encountered Sin’s work back at the end of 2017 with the launch of her first podcast, ‘In Her Burning.’ A critically acclaimed, haunting tale of a young girl chosen to undergo a procedure that would enable her to see beyond her physical reality. Written, directed and starring Sin (as a secondary thesis project), this audio drama’s beautiful style had me hooked from the get go. Incidentally the In Her Burning transcription has just been released in book form.

In this new podcast, not only does she share her personal journey through depression and agoraphobia, she brings the resources and insights used as coping mechanisms to help her along the way. Una Animus reflects her personal exploration into better mental health as she seeks joy and meaning in living.

Una Animus is not a rumination on depression nor does it have a, “Stop worrying, be happy!” type of self-help approach. The content focuses on balance, acknowledging the weight of fear while providing a perspective of hope. Although the uphill battle may continue, the point is that you keep climbing.

Listeners are welcome to ask questions of Sin for her to answer on the show by directing them to @sinribbon on Twitter.

I had the pleasure speaking with Sin about this new project, and I am honoured to share it with you all now.

I absolutely admire your choice to go public with this show; to bring your own mental health issues into the public domain requires so much strength. What was the defining moment/s that made you decide to share your thoughts on your own mental health with the hopes that it could help those who haven’t yet found the strength and courage to voice, or even face their own?

“Thank you. I suppose it was a combination of factors. First, it was something of a “backup plan” I’ve had sitting around for a while–not a mental health podcast specifically but some venture that resulted in opening up about my ideas, morals, and the knowledge I’ve acquired along the way. I mention in the first episode of Una Animus that I surround myself with positive reminders to help manage my stress, and I thought sharing these techniques might help others as well.

Primarily, I want to offer new perspectives through fiction, but an event in my life inspired me to share all the stories, content, and ideas I’ve been hoarding for years. It started with publishing my novel and began to snowball into a realization that there was more I could do to connect with audiences. Despite my social demeanor, I’m a reticent person, and I prefer to live behind a wall. I suppose I saw this project as an opportunity to share valuable information while conquering my fear of opening up.”

Having taken a quick look at the season highlights, I notice you take an in depth view from both a scientific and spiritual look at mental health issues. Is this because you have taken on both sides of the equation in your personal journey, because you feel that this balanced approach between science and spirituality is key for personal growth, or are you offering both standpoints in the hopes that the listeners can pick and choose what helps them the most?

“Both, actually. The show’s content emerges from my personal world, so naturally it seemed appropriate to take the approach that’s always worked for me. I’m a firm believer in overall balance and that both viewpoints are necessary to provide a wider perspective. At the same time, I wanted people of different faiths and ideologies to be able to connect with the show.

Science dissects while remaining grounded in the natural world in its quest for truth. However, it can become scrutinous and pedantic. A spiritual approach sees the situation on the whole. When dealing with mental health, you need understanding, compassion, and empathy. I don’t think you can go without mentioning spirituality when discussing emotional development and personal joy. Spirituality is unifying and connecting. Nevertheless, I believe it’s important to provide a foundation of evidence and research. Healing benefits from both approaches, so I discuss the medical and psychiatric side while also sharing the attitudes and viewpoints that have had an impact on my own healing. Audiences can draw from one or both of these approaches–it’s up to them–but they might be surprised by how much they overlap.”

It has certainly surprised me how much spirituality has shaped my life over the years. I was always the cynic, the scientist, when it came to life. It wasn’t until I began studying martial arts that I discovered how calming, mindful, and empathetic my emotional state had become.

For all the resources you share throughout the season, how deep would you say you explore these processes, and do you offer the listener further resources if they wish to examine them further?

“Absolutely. In the second episode, I touch on neuroplasticity with a fair amount of detail, although I do try to keep things understandable in a layman’s sense. The episodes tend to bounce back and forth between spiritual and scientific viewpoints from then on. For each episode, I cite where I pull the information from and provide links to where it can be found in the show notes. Throughout the season, I reference scientific books, research papers, self-help books, and online articles. I believe this is important because it creates greater context to the issues I’m addressing and how specialists have utilized this information for the betterment of mankind. There are new, revolutionary methods being used to conquer both physical and mental ailments. Not all of them are widely known, and in a show about mental health and growth, I want to provide hope that healing is possible. Sharing these resources illuminates the fact that we’re all in this together.”

Is there anything else you wish to add that you feel pertinent for the readers?

“I suppose for categories, I’ll have to classify this show as self-help, but I want people to be aware that I seek to go beyond that. Una Animus is about more than finding happiness; it’s about the journey through the valley and all the voices that speak to you along the way. My aim is to inspire from a pragmatic viewpoint because that’s the approach that’s helped me the most. Belief is important, but explaining the why’s, the origins, and the real world applications solidifies that belief. This show hinges on my spirit, all its strength and fragility, so while I may be sharing a lot of outside resources, all of it comes from a personal place of honesty and vulnerability. I think that will help listeners connect the most.”

I certainly feel it will help. Having a personal connection between the host and issues always helps more than detached information bursts. I for one am really looking forward to exploring this podcast, and if you are too, then you can find the show on its home page, as well as all your usual podcatchers.

My thanks Sin for your time, and I wish you all the best with this project.

Una Animus season one launched on Tuesday, (May 7th 2019) and will consist of twelve episodes to be released every Tuesday. There will be early access and potential bonus content via Patreon as well if you wish to support its creator Sin Ribbon.


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The Stories We Tell

The podcast ‘The Stories We Tell’ launches with a double-shot of the first two episodes next Tuesday (23rd April 2019), so to celebrate I got together with Paul Sating and Natalie Aked, creator of ‘Horrible Writing’ and ‘A Breviloquent Challenge’ respectively.

The Stories We Tell

by Dōhai

Back in October 2018 the Horrible Writing Writers Support Group on Facebook launched a fun monthly 500 word flash fiction event. The Founder of the group, Paul Sating, was so inspired by the event, he developed the idea into a podcast that features the best of these short stories.

The podcast ‘The Stories We Tell’ launches with a double-shot of the first two episodes next Tuesday (23rd April 2019), so to celebrate I got together with Paul Sating and Natalie Aked, creator of ‘Horrible Writing’ and ‘A Breviloquent Challenge’ respectively.

To tell the story of this podcast we first need to go back to July 2017, when veteran podcaster Paul Sating (Subject: Found, Who Killed Julie, and Diary of a Madman among others) launched Horrible Writing, a podcast with the aim of bringing ‘empowerment through candor’ to authors from all paths across the globe. It’s hard to believe it’s been nearly two years since the show launched, as I have been here listening since inception.

I asked Paul to give us a brief outline of the Horrible Writing show and its premise.

“I love listening to other writer’s take on the craft, but I couldn’t find a podcast featuring the affective side of writing. I need a pep talk from time to time, as many writers do, since this is such a solitary venture. But no one was doing it, that I found. I also believe that too many writers don’t open the closet and show our guests all the mistakes. That’s harmful to newer writers. They see a polished work and think, “I can’t ever do that.” So I did what I always do. If someone isn’t doing it, or willing to do it, I will.

I started the Horrible Writing podcast to document my journey, publicly, from know-nothing to published author. I wanted to serve that dual purpose of showing people the emotional journey alongside the reality that no one knows everything about ‘how’ to get published, and that’s it’s a constant exploration of learning.

Yesterday, I recorded the 83rd episode of the show and I realized there is so much I still have to learn. So, so much. And that’s okay.

By opening up to the public, with full candor, I believe–and the emails and reviews I receive can verify–other writers find it helpful and don’t feel so alone, so we all rise together.”

If you haven’t checked it out yet, and you have even a passing interest in writing, then this show should be on your playlist. You can find it here.

The Horrible Writing Writers Support Group launched on Facebook last August (2018) and has exploded with members from all walks of writing life, all of whom share support and resources to ‘raise all ships’ in the true spirit that this powerhouse was born.

One of the founder members of the team is administrator Natalie Aked, a blogger and short story writer. She has published a few books on Yuan Dynasty Mongolian food. In her own words:

“Mostly, I am a storyteller. I enjoy bringing the world to people in snippets of tales.”

Natalie introduced ‘A Breviloquent Challenge’ the monthly 500 word flash fiction event to the group so that they could have a bit of fun and flex those writing muscles. I asked her about her thoughts about introducing this challenge:

“I suggested the ABC to Paul because many of our newer writers were struggling with common problems. I hoped that flash fiction might help – writing is the only solution to writing problems in my book. I also hoped it would foster a solidarity within the group; and, maybe, start a conversation.

I think that the ABC is a positive force in the group. Not everyone participates, but those who do gain feedback and those who participate regularly are seeing improvements in their writing.”

Within a month of ABC being launched on the support group Paul and Natalie were in talks about a podcast.

“In late November/early December 2018, Paul broached the idea of the podcast. He admitted that he had been thinking about a podcast of stories and he hoped the ABC would be the venue to find those stories. I loved the idea!”

From initial idea to release has only taken a few short months. With (at time of writing) three episodes in the can I asked both Natalie and Paul if there had been any major hurdles, or even a few bumps in the road:

“Well, I have the easy job. I am responsible for the written stuff. Which basically means I set the challenges and the writers take it from there. Once the end date comes, I have a team of four judges who are AMAZING. They read and rank the stories. I collect the data and give it to Paul. Really, his job requires the most effort and he’s awesome at what he does. It’s been such an easy process thanks to everyone involved.” -Nat

“It’s been very smooth. Natalie is a champ. She was on-board with the idea from the very beginning. In fact, when I pitched it to her, we immediately started ironing out how it would work and what some of the potential tripping points were (things such as how we would keep it manageable for both of us and set the right expectations for everyone else. This was, honestly, one of the easiest joint efforts I’ve ever undertaken, credit to Natalie!” – Paul

One of the things I’ve noticed as a member of the group is the camaraderie: normally social media posts have a ‘look at me’ feel to them, but here they’re all about helping one another, has this bled over into creating the podcast?

“One of the most epic things about this whole process has been the community. Horrible Writing Writers Support Group has always been a nurturing environment, but when we added ABC I was blown away with the immediate response. Not only do the writers who participated read the other stories but they give constructive feedback. It’s also common to see comments from members who didn’t enter a story that month. It’s an awesome resource for the writers.

Now that we have linked the writing challenge to the podcast, we are seeing that community support again. Some of our writers are hesitant to read their stories. They may not have the equipment and time or they may feel that they can’t do the story justice. But the community just keeps giving.

This project has definitely cemented the ‘it takes a village to raise a child’ sentiment in my mind. The group has shown such support to one another.” – Nat

“This show truly is a community effort. It would be easy for people to post their story and move on, but that’s not what happens. In this wonderfully positive collective, what you see instead is the community reading each other’s work, providing encouragement and constructive criticism; and the narrators echo that.

I sent out a single initial call and was inundated with responses from narrators who want to be involved. We don’t have enough stories for the next five episodes to give to them, there are so many! Their eagerness to help is matched by ‘how’ they invest in someone else’s story. The narrators read other writer’s stories as if they are their own. This is truly a horribly wonderful community!” – Paul

I for one am looking forward to listening to the podcast and I wish it all the success. Being a part of it has not only helped me as a writer with technical aspects, but the community helps alleviate that impostor syndrome. Any final words from you both before I let you go?

“I’m super passionate about this project. I can’t wait to hear what listeners think of the podcast and read what our writers will come up with next. It would be great to see the participation grow. If there are writers out there reading this, come join us, please.” – Nat

“I’d really encourage people to give this show a listen. It’s a beautiful project because it is the manifestation of my Horrible Writing ideology, that we all rise together, that each and every one of us have stories to tell and we ‘can’ find an audience for those stories. Already, we have nearly 50 stories from dozens of authors to share with the world, and that’s only going to grow as we move forward. If someone is looking for fresh fiction from a variety of writers around the world, there is no other place to go than The Stories We Tell. It is a show for all voices, and all listeners.” – Paul

The podcast launches next Tuesday (23rd April 2019) and I hope you will join us here at Podern Times in celebrating the world of indie writing with the Horrible Writing Writers Support Group on Facebook and The Stories We Tell.


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Days of My Life Podcast

The name Aidan Wheller may seem familiar to some of you if you’ve been around the indie podcast scene for the last year or so: he made his debut in the podcasting world when he started reviewing shows in March of 2018 on YouTube. Well now he has his own podcast and not only did we get to preview the first episode, we got an interview as well.

Days of My Life Podcast

by Dōhai

The name Aidan Wheller may seem familiar to some of you if you’ve been around the indie podcast scene for the last year or so: he made his debut in the podcasting world when he started reviewing shows in March of 2018 on YouTube. In the space of five months he reviewed around 60 podcasts, including some of his personal favorites: The Big Loop, Dark Net Diaries, Dark Saga: Aethuran, Duggan Hill, Superstition, Lonesome Pine, Dream State.

Come summer however he stopped producing his podcast reviews in favour of producing a show of his own: he changed the channel name, removed all the reviews, and began plowing his time into his new project, the Days of My Life Podcast.

So when Aidan reached out to me with a sneak peek behind the curtain of his upcoming show, what could I say?

Within ten minutes of listening to his heart warming first episode I was on the phone setting up an interview.

Q. So what led to the scrapping of the review portion of your YT channel? Was it simply to make room for the podcast, or was there something else?

“The idea for Days of my Life came to me in a moment, and by the end of an hour I had mapped out twelve episodes in my head. I started recording the following week, and as it started to go well I decided I had to stop doing reviews. For one thing I thought to myself “I can’t do reviews and put my own show out.” I needed some distance from being a reviewer.”

He added:

“I still listen to loads of podcasts and audio drama but for now I’m just a fan… cheering them all on from the sidelines.”

Q. Is there a possibility that the review portion of your journey will return, or do you think it was ultimately just a stepping stone in your evolution?

“Maybe in some way it could. But as of now I have no plans to do any. (I still have all the reviews if anybody wants them), but to be honest I have ideas for another podcast after I get done with days of my life. I had another moment where a fully formed story popped into my head, this one is all fiction though, so a great amount of work will be needed to make it come alive. The thing I like about the idea of the show is that it does not limit me, for now I have twelve episodes, but I can see there being many more.”

Q. Would a continuation of DomL be just your own experiences, or would you consider doing “defining moments” of other people’s lives.

“I think that other people’s lives have probably been covered well enough. I thought about doing some shows about my heroes, idols… but I quickly ran into the copyright barrier! It’s impossible to really focus in on a person of fame without breaking copyrights! It took me a long long time to get the short clips that I use for reference in Days of my Life.”

A few weeks ago Aidan put up Episode 0, which is now available wherever you get your podcast fix. This heartwarming personal reflection on his deceased mother is entitled ‘Things I Wish My Mum Knew’ and it’s just that: a list of things that have happened since his mother passed away, that presumably is a reflection of the things they shared whilst she was still alive. It’s a simple premise, and with its monologue backed by somber piano music it is put together incredibly well, creating an ambience that makes me reflect on my own life, familial relationships, and the finite time we have together.

Now full disclosure here, I’m not really a fan of autobiographical works, even those of my idols, so obviously I came into this filled with trepidation. Something I’m happy to say, this podcast well and truly smashed. Perhaps it’s because Aidan is just your average guy on the street, not some Hollywood heartthrob or sporting hero that we hold in high esteem, that this story shines for me. Maybe the reason this story is so heartwarming is because it truly shows that all lives matter.

Episode 1 is entitled ‘Home Base’ and runs for just over half an hour.

In this episode Aidan takes us back to August 1997 when he was a wee lad of 16, when the times, as Bob Dylan so aptly wrote, they were a changing, and a young Aidan was having the time of his life. But this was all about to change, for this date was a major turning point in life, not just for Aidan personally, but for Billions of people around the globe.

As far as the content of this first episode goes, I’m going to leave it there. I have no intention of spoiling this story for you. Suffice it for me to say that this episode is not only well written and produced, it also humbles me how candid and self-effacing one human being can be about their own problems, flaws, and limitations. For me that’s worth the price of admission alone.

Q. I assume that the following episodes will be of life changing moments that are as candid and as self-effacing, so with that in mind, how hard was it for you to not only think on these matters, but to actually break them down, and lay them out for the world to see, and how cathartic was the process?

“Yes they all are very heart-on-sleeve, I would not be able to do any other way. In some ways it has been cathartic to go back to these times, maybe even a bit like therapy for me, but because its all my own life I own it 100% there’s no fiction or worry about how things might end, its reflective and honest and when it’s all done I will be proud to know that’s out there and not just in the backseat of my mind.”

“Not all of the episodes are linked to moments in everybody else’s life, 4 or 5 of them are, some of the dates everybody will know. some of the days are about moments in time and events from my own life story, all true but with some little changes to protect people close to me.”

Q. What do you hope your audience, (and yourself) will take away from this endeavor? Here you are talking about the moment you decided to stop using drugs and become more supportive of your dying mother? Does your mother, and other family members feature in other episodes?

“Yes my family feature more in other episodes, and yes my mother’s death and the time I spent looking after comes back, but I did not just stop getting waisted. The other shows focus in on the human condition of loss and living with grief, but also finding new things, and new ways to run away or transform into something else. I was only 16 in the episode Homebase, as I write this I am now 37, so plenty of time for more missadventures.”

“As for what people might get from it…. It’s just me saying hello to the world, and sharing my story, I guess I want people to like it, maybe relate to it.. I don’t think it will appeal to everyone, and not chasing anything… of course I want as many people to listen to as possible but honestly it sounds cheesy but it’s true, if just a few people listen to it and relate to it that’s fine with me.”

Q. So how are you feeling now that your first show is about to launch?

“I guess I feel a bit insecure. I’m not a pro and I am learning my craft as I go. I have one little mic and a shitty old laptop, so when I listen back to my shows I think, “it’s not as good as the shows I love” but then I think ‘Hell’ the whole thing came from one little thought, it doesn’t have to be perfect as long as it’s good enough for me that’ll do!”

I know how that feels, my first ever attempt is almost ¾’s broadcast, and even though I’ve had lots of praise, I still feel queasy when an episode is released, and I am poised to run through it all again so that I can reassess and learn all there is about my writing.

“The last thing I would say is that the show does not follow a solid timeline, so sometimes I might overlap or go backwards then forwards, I kinda like that it’s a bit blurry and rough.”

I wish you all the best with your show Aidan, I’m looking forward to listening to more days of your life in the near future.

If you wish to catch this show, then you can do so wherever you listen to your regular playlist, and episode one ‘HomeBase’ dropped on April 3rd 2019.


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